![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivck_lUJIcu-hnI_qQAoBFwmZJgCb-sgWwhxby18eaRyg77dflirb3FpjmqouvG5HSlTPhm6ovTEO7Zl6RwaD8XyHk3PQmgE3RlUUHZZuzMRsUXY57PLUo9kHYJeZXJqBohnpw8QeCU68/s400/julie+mehrutu.jpg)
ink and acrylic on canvas, 2001
Mehretu combines a personal language of signs and symbols with architectural imagery to create her elaborate semi-abstractions. Simultaneously engaged with the formal concerns of color and line and the social concerns of power, history, globalism, and personal narrative, she is interested in "the multifaceted layers of place, space, and time that impact the formation of personal and communal identity." The underlying structure of her work consists of socially charged public spaces--government buildings, museums, stadiums, schools, and airports--drawn in the form of maps and diagrams. She inscribes her own narrative into these decontextualized, highly controlled spaces through the layering of personal markings.
Mehretu_at the Walker
Mehretu_at the Walker
![](file:///Users/na/Library/Caches/TemporaryItems/moz-screenshot-2.jpg)
![](file:///Users/na/Library/Caches/TemporaryItems/moz-screenshot-3.jpg)
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